Voc conhece Water Transfer Printing WTP - Pintura Hidrogrfica WTP?

Também nomeada como Hydro Dipping, o procedimento de pintura hidrográfica wtp se mostrou comum entre os apaixonados por automóveis, artesanato e decoração.
Com esta técnica você pode aplicar qualquer desenho nas partes de carro, obras de arte, objetos de decoração e o que sua imaginação admitir, de modo prático, sem complicações e muito simples.
Veja exemplos na prática de Pintura Hidrográfica, comece e domine a técnica em pouco tempo!
O que é Pintura Hidrográfica, um método de estampa conhecida por vários nomes: Water Transfer Printing, impressão por imersão, impressão de transferência de água, transferência de água e imagem, hidro imersão, impressão cúbica e até mesmo adesivagem hidrográfica.
Há uma grande dúvida a respeito do termo “Adesivagem Hidrográfica” onde na veracidade o que acontece não é uma adesivagem e sim a pintura em si, dar a entender que adesivagem irá permitir a retirada do filme que cobre uma parte de cima, na pintura hidrográfica isso não acontece depois de pintada à peça não há mais como dissociar a tinta, apenas com tratamento especial do objeto para sua retirada.
A técnica de impressão por imersão é bastante aproveitado para decorar objetos que podem ser mergulhados em água, estas peças vão desde acessórios automotivos como rodas, para-choques, retrovisores, painel, console, quadro de bicicleta e também objetos de decoração dos mais variados.
Na concepção a, também denominada, pintura hidrográfica 3D acontece quando se prepara a peça a ser mergulhada com um revestimento que servirá de base para a tinta que será aplicada.
Feito isso a película com a pintura é posicionada sobre a água e esta é molhada com  uma camada de ativador químico, o que faz com o que a tinta solte da película e fique no jeito para se prender a parte superior da peça que será mergulhado.
Uma das causas mais comuns na imperfeição do processo de water transfer printing é a aplicação do ativador de forma incorreta, a aplicação deve acontecer na medida certa, nem muito, nem pouco.

Como Funciona o Curso de Pintura Hidrográfica WTP Brasil - Curso Water Transfer Printing WTP Brasil?

O Curso de Pintura Hidrográfica WTP Brasil - Curso Water Transfer Printing WTP Brasil da SpaceArts ensina as melhores técnicas e dicas de como desenvolver com WTP.
O curso é de autoria da SpaceArts que é especialista nessa técnica há muitos anos, e abordará todo o análise passo-a-passo dessa que é uma das mais poderosas ferramenta de decoração automotiva e de objetos variados. Para quem não ouviu falar, a SpaceArts é uma das primeiras no lado de WTP automotivo, sendo uma das primeiras a trabalharem com isso no país. Tendo em vista que sempre se mantém atualizados com as novas técnicas da atualidade, começaram a seguir com WTP Water Transfer Printing que é uma das mais novas criações do mundo.
O curso é online e pode ser acessado de casa, do trabalho ou de onde escolher, a qualquer situação. E você é contemplado com Certificado Digital de Profissional em WTP Water Transfer Printing - Hydro Dipping.
No Curso de WTP Water Transfer Printing você verá e entenderá mais da história dessa técnica no Brasil e no Mundo, assim como tudo que você necessita para entrar, com dicas e macetes que te permite trabalhar de sua casa, quais os tipos de materiais que são capazes de acomodar o uso dessa técnica. Assim como todo o processo de preparação dos artefatos. Tais como aplicação, secagem e etc..

https://crazygirlincity.tumblr.com/post/170333635130/você-sabe-o-que-é-water-transfer-printing-wtp

Paper Marbling History in East Asia

An intriguing reference which some consider may very well be a kind of marbling is present in a compilation concluded in 986 CE entitled ???? (Wen Fang Si Pu) or "Four Treasures of your Scholar's Study" edited through the 10th century scholar-official ??? Su Yijian (957-995 CE). This compilation includes information on inkstick, inkstone, ink brush, and paper in China, which might be collectively known as the 4 treasures from the review. The textual content mentions a form of decorative paper referred to as ??? liu sha jian meaning “drifting-sand” or “flowing-sand notepaper" which was built in precisely what is now the area of Sichuan.

This paper was made by dragging a piece of paper via a fermented flour paste blended with numerous colors, developing a free and irregular structure. A second kind was created that has a paste prepared from honey locust pods, mixed with croton oil, and thinned with h2o. Presumably both black and colored inks were employed. Ginger, quite possibly in the method of an oil or extract, was used to disperse the colors, or “scatter” them, based on the interpretation offered by T.H. Tsien. The colours had been reported to collect with each other any time a hair-brush was overwhelmed more than the design, as dandruff particles was applied to the look by beating a hairbrush more than top rated. The finished patterns, which were assumed to resemble human figures, clouds, or flying birds, were being then transferred towards the surface area of the sheet of paper. An case in point of paper decorated with floating ink has not been present in China. If the above methods used floating hues remains to be identified.

Su Yijian was an Imperial scholar-official and served as the main on the Hanlin Academy from about 985-993 CE. He compiled the function from the huge variety of previously resources, and was acquainted with the topic, given his occupation. But it really is vital that you note that it's unsure how individually acquainted he was with the various techniques for producing ornamental papers that he compiled. He more than likely claimed information supplied to him, without the need of obtaining a full knowing with the solutions utilised. His primary supply may have predated him by various generations. Until finally the initial sources that he quotes tend to be more specifically established, can it be doable to ascribe a firm day with the creation of the papers pointed out by Su Yijian.

Suminagashi (???), which implies "floating ink" in Japanese, can be a Japanese variant; the oldest case in point seems within the 12th-century Sanjuurokuninshuu (?????), situated in Nishihonganji (????), Kyoto. Author Einen Miura states the oldest reference to suminagashi papers are in the waka poems of Shigeharu, (825-880 CE), a son with the famed Heian era poet Narihira (Muira fourteen). Various promises have been created pertaining to the origins of suminagashi. Some believe that may have derived from an early sort of ink divination. Another theory is always that the method might have derived from a kind of well-liked enjoyment within the time, wherein a freshly painted sumi painting was immersed into water, plus the ink slowly and gradually dispersed within the paper and rose for the surface, forming curious models.

Just one particular person has typically been claimed given that the inventor of suminagashi. In keeping with legend, Jizemon Hiroba felt he was divinely encouraged to produce suminagashi paper immediately after he offered non secular devotions at the Kasuga Shrine in Nara Prefecture. It is claimed that he then wandered the nation on the lookout with the greatest h2o with which for making his papers. He arrived in Echizen, Fukui Prefecture where he identified the h2o specially conducive to making suminagashi. So he settled there, and his loved ones carried on with all the custom to this day. The Hiroba Relatives claims to obtain designed this way of marbled paper since 1151 CE for 55 generations.

To master tips on how to use paper marble in WTP, verify it out:

https://www.dailystrength.org/journals/paper-marbling-heritage-in-east-asia-6

Paper Marbling Background in East Asia

An intriguing reference which some think could be a kind of marbling is located in a compilation accomplished in 986 CE entitled ???? (Wen Fang Si Pu) or "Four Treasures on the Scholar's Study" edited because of the 10th century scholar-official ??? Su Yijian (957-995 CE). This compilation incorporates information on inkstick, inkstone, ink brush, and paper in China, that are collectively known as the four treasures from the examine. The text mentions a form of attractive paper identified as ??? liu sha jian this means “drifting-sand” or “flowing-sand notepaper" which was manufactured in what on earth is now the region of Sichuan.

This paper was produced by dragging a piece of paper through a fermented flour paste combined with various hues, creating a absolutely free and irregular design and style. A next type was created using a paste organized from honey locust pods, combined with croton oil, and thinned with water. Presumably equally black and colored inks were employed. Ginger, perhaps during the form of an oil or extract, was accustomed to disperse the colours, or “scatter” them, in line with the interpretation given by T.H. Tsien. The colors have been reported to collect jointly every time a hair-brush was overwhelmed above the look, as dandruff particles was applied to the look by beating a hairbrush over major. The concluded types, which had been considered to resemble human figures, clouds, or traveling birds, had been then transferred to your surface of a sheet of paper. An instance of paper decorated with floating ink has not been found in China. Whether or not the above mentioned procedures utilized floating colors remains to be established.

Su Yijian was an Imperial scholar-official and served because the main of your Hanlin Academy from about 985-993 CE. He compiled the function from a vast range of before resources, and was familiar with the topic, supplied his job. Nevertheless it really is imperative that you note that it's uncertain how individually acquainted he was using the various procedures for building ornamental papers that he compiled. He probably noted facts offered to him, without the need of possessing a full knowledge from the techniques used. His primary source may have predated him by numerous generations. Until eventually the initial sources that he estimates tend to be more precisely identified, can it's doable to ascribe a business day for that manufacture of the papers described by Su Yijian.

Suminagashi (???), which suggests "floating ink" in Japanese, is really a Japanese variant; the oldest instance appears from the 12th-century Sanjuurokuninshuu (?????), located in Nishihonganji (????), Kyoto. Author Einen Miura states that the oldest reference to suminagashi papers are inside the waka poems of Shigeharu, (825-880 CE), a son from the famed Heian era poet Narihira (Muira fourteen). Several promises are actually created concerning the origins of suminagashi. Some consider which will have derived from an early type of ink divination. A different theory is the fact the procedure may have derived from a kind of well-known enjoyment with the time, where a freshly painted sumi portray was immersed into drinking water, plus the ink little by little dispersed within the paper and rose to your floor, forming curious designs.

A single individual has normally been claimed since the inventor of suminagashi. In accordance with legend, Jizemon Hiroba felt he was divinely impressed to generate suminagashi paper just after he presented non secular devotions with the Kasuga Shrine in Nara Prefecture. It is actually said that he then wandered the state hunting to the greatest water with which for making his papers. He arrived in Echizen, Fukui Prefecture exactly where he uncovered the water primarily conducive to making suminagashi. So he settled there, and his household carried on along with the tradition to today. The Hiroba Family statements to acquire designed this form of marbled paper considering that 1151 CE for 55 generations.

To master how to use paper marble in WTP, look at it out:

https://www.dailystrength.org/journals/paper-marbling-historical-past-in-east-asia-1

Paper Marbling History in East Asia

An intriguing reference which some consider could possibly be a method of marbling is located in a compilation concluded in 986 CE entitled ???? (Wen Fang Si Pu) or "Four Treasures on the Scholar's Study" edited by the tenth century scholar-official ??? Su Yijian (957-995 CE). This compilation contains facts on inkstick, inkstone, ink brush, and paper in China, that are collectively known as the 4 treasures of the study. The textual content mentions a form of decorative paper named ??? liu sha jian meaning “drifting-sand” or “flowing-sand notepaper" which was designed in precisely what is now the area of Sichuan.

This paper was made by dragging a chunk of paper by way of a fermented flour paste blended with many shades, creating a free and irregular design. A next style was made that has a paste well prepared from honey locust pods, mixed with croton oil, and thinned with water. Presumably both equally black and colored inks were being used. Ginger, maybe inside the kind of an oil or extract, was used to disperse the colours, or “scatter” them, in keeping with the interpretation offered by T.H. Tsien. The colours have been said to gather with each other every time a hair-brush was overwhelmed more than the look, as dandruff particles was placed on the look by beating a hairbrush around prime. The finished layouts, which were believed to resemble human figures, clouds, or flying birds, were then transferred into the area of the sheet of paper. An case in point of paper adorned with floating ink hasn't been present in China. Whether or not the above approaches utilized floating hues stays to be identified.

Su Yijian was an Imperial scholar-official and served as the main on the Hanlin Academy from about 985-993 CE. He compiled the operate from the wide wide range of before sources, and was aware of the subject, presented his profession. However it really is crucial to take note that it's uncertain how personally acquainted he was with the various strategies for producing ornamental papers that he compiled. He probably noted information and facts given to him, without the need of getting a full being familiar with of the solutions utilised. His initial resource might have predated him by a number of centuries. Till the first resources that he quotes tend to be more precisely established, can it be attainable to ascribe a organization date for the production of the papers outlined by Su Yijian.

Suminagashi (???), which implies "floating ink" in Japanese, can be a Japanese variant; the oldest instance appears during the 12th-century Sanjuurokuninshuu (?????), situated in Nishihonganji (????), Kyoto. Author Einen Miura states that the oldest reference to suminagashi papers are inside the waka poems of Shigeharu, (825-880 CE), a son from the famed Heian period poet Narihira (Muira 14). Various promises have been manufactured relating to the origins of suminagashi. Some feel that could have derived from an early method of ink divination. A different idea is the method could have derived from a sort of well known enjoyment for the time, during which a freshly painted sumi painting was immersed into drinking water, plus the ink slowly but surely dispersed with the paper and rose to the area, forming curious patterns.

One particular personal has usually been claimed as the inventor of suminagashi. According to legend, Jizemon Hiroba felt he was divinely influenced to help make suminagashi paper soon after he offered religious devotions with the Kasuga Shrine in Nara Prefecture. It is actually reported that he then wandered the place searching for the finest h2o with which to produce his papers. He arrived in Echizen, Fukui Prefecture the place he observed the h2o specially conducive to making suminagashi. So he settled there, and his family members carried on while using the custom to at the present time. The Hiroba Family statements to obtain produced this way of marbled paper considering that 1151 CE for 55 generations.

To discover the best way to use paper marble in WTP, check it out:

http://marshalldarell0415.soup.io/post/639909876/Paper-Marbling-Historical-past-in-East-Asia

Paper Marbling Historical past in East Asia

An intriguing reference which some assume might be a sort of marbling is present in a compilation finished in 986 CE entitled ???? (Wen Fang Si Pu) or "Four Treasures in the Scholar's Study" edited with the tenth century scholar-official ??? Su Yijian (957-995 CE). This compilation has details on inkstick, inkstone, ink brush, and paper in China, which are collectively called the 4 treasures of the research. The textual content mentions a form of decorative paper referred to as ??? liu sha jian which means “drifting-sand” or “flowing-sand notepaper" that was designed in what's now the region of Sichuan.

This paper was produced by dragging a piece of paper via a fermented flour paste mixed with different colors, making a free of charge and irregular style. A next type was made using a paste prepared from honey locust pods, mixed with croton oil, and thinned with drinking water. Presumably both equally black and coloured inks were being employed. Ginger, possibly in the kind of an oil or extract, was accustomed to disperse the colours, or “scatter” them, according to the interpretation presented by T.H. Tsien. The colors had been explained to collect together each time a hair-brush was crushed over the look, as dandruff particles was applied to the look by beating a hairbrush above prime. The concluded designs, which were considered to resemble human figures, clouds, or traveling birds, were then transferred to the surface of the sheet of paper. An instance of paper embellished with floating ink has not been located in China. If the above procedures employed floating hues stays to generally be identified.

Su Yijian was an Imperial scholar-official and served as being the chief on the Hanlin Academy from about 985-993 CE. He compiled the do the job from a broad assortment of earlier sources, and was acquainted with the subject, supplied his job. Yet it truly is essential to observe that it's unsure how individually acquainted he was along with the many techniques for earning ornamental papers that he compiled. He probably reported information presented to him, with no acquiring a full comprehension from the procedures applied. His original resource might have predated him by a number of centuries. Until the first sources that he rates are more precisely established, can it be possible to ascribe a company day for your production of the papers outlined by Su Yijian.

Suminagashi (???), which implies "floating ink" in Japanese, is usually a Japanese variant; the oldest example appears in the 12th-century Sanjuurokuninshuu (?????), situated in Nishihonganji (????), Kyoto. Writer Einen Miura states the oldest reference to suminagashi papers are within the waka poems of Shigeharu, (825-880 CE), a son on the famed Heian era poet Narihira (Muira fourteen). Many promises happen to be produced pertaining to the origins of suminagashi. Some feel that may have derived from an early form of ink divination. Yet another idea is that the procedure may have derived from a method of popular leisure in the time, in which a freshly painted sumi portray was immersed into drinking water, and also the ink slowly and gradually dispersed through the paper and rose towards the floor, forming curious styles.

Just one specific has often been claimed because the inventor of suminagashi. In line with legend, Jizemon Hiroba felt he was divinely motivated to make suminagashi paper right after he made available non secular devotions with the Kasuga Shrine in Nara Prefecture. It truly is stated that he then wandered the region looking to the finest water with which to produce his papers. He arrived in Echizen, Fukui Prefecture where he discovered the water especially conducive to creating suminagashi. So he settled there, and his spouse and children carried on while using the custom to at the present time. The Hiroba Spouse and children promises to own built this kind of marbled paper given that 1151 CE for 55 generations.

To discover ways to use paper marble in WTP, check out it out:

http://brosmansize1973.soup.io/post/639914997/Paper-Marbling-Background-in-East-Asia

Paper Marbling Background in East Asia

An intriguing reference which some assume may very well be a method of marbling is located in a compilation completed in 986 CE entitled ???? (Wen Fang Si Pu) or "Four Treasures of the Scholar's Study" edited via the 10th century scholar-official ??? Su Yijian (957-995 CE). This compilation is made up of facts on inkstick, inkstone, ink brush, and paper in China, which might be collectively known as the 4 treasures from the review. The textual content mentions a sort of ornamental paper referred to as ??? liu sha jian that means “drifting-sand” or “flowing-sand notepaper" that was created in what is now the location of Sichuan.

This paper was made by dragging a chunk of paper via a fermented flour paste combined with several hues, building a no cost and irregular layout. A next sort was manufactured having a paste geared up from honey locust pods, combined with croton oil, and thinned with drinking water. Presumably equally black and colored inks were being used. Ginger, potentially while in the kind of an oil or extract, was accustomed to disperse the colors, or “scatter” them, according to the interpretation specified by T.H. Tsien. The colours ended up said to gather alongside one another every time a hair-brush was beaten about the design, as dandruff particles was placed on the look by beating a hairbrush around prime. The finished designs, which were assumed to resemble human figures, clouds, or traveling birds, were being then transferred on the surface of the sheet of paper. An case in point of paper decorated with floating ink hasn't been found in China. Whether the above mentioned procedures employed floating shades remains to get determined.

Su Yijian was an Imperial scholar-official and served since the main from the Hanlin Academy from about 985-993 CE. He compiled the operate from a broad range of earlier resources, and was accustomed to the subject, provided his occupation. Yet it truly is imperative that you notice that it is uncertain how individually acquainted he was together with the different approaches for making ornamental papers that he compiled. He most probably documented data provided to him, with out having a full knowing of your strategies made use of. His authentic resource may have predated him by quite a few hundreds of years. Until finally the first sources that he rates are more specifically identified, can it be achievable to ascribe a company day with the creation of the papers outlined by Su Yijian.

Suminagashi (???), which implies "floating ink" in Japanese, can be a Japanese variant; the oldest example seems while in the 12th-century Sanjuurokuninshuu (?????), located in Nishihonganji (????), Kyoto. Creator Einen Miura states which the oldest reference to suminagashi papers are while in the waka poems of Shigeharu, (825-880 CE), a son of your famed Heian era poet Narihira (Muira 14). Numerous promises have been built relating to the origins of suminagashi. Some think which could have derived from an early kind of ink divination. A different theory is the fact the procedure can have derived from a sort of well-known enjoyment in the time, in which a freshly painted sumi portray was immersed into h2o, along with the ink slowly dispersed through the paper and rose on the floor, forming curious types.

1 person has typically been claimed as the inventor of suminagashi. In line with legend, Jizemon Hiroba felt he was divinely encouraged for making suminagashi paper just after he made available non secular devotions in the Kasuga Shrine in Nara Prefecture. It is explained that he then wandered the country seeking for your ideal water with which to produce his papers. He arrived in Echizen, Fukui Prefecture where by he uncovered the h2o in particular conducive to creating suminagashi. So he settled there, and his loved ones carried on with all the tradition to today. The Hiroba Loved ones promises to acquire designed this type of marbled paper due to the fact 1151 CE for 55 generations.

To know the way to use paper marble in WTP, check out it out:

https://www.dailystrength.org/journals/paper-marbling-history-in-east-asia-1

Paper Marbling History in East Asia

An intriguing reference which some think might be a sort of marbling is present in a compilation finished in 986 CE entitled ???? (Wen Fang Si Pu) or "Four Treasures from the Scholar's Study" edited through the tenth century scholar-official ??? Su Yijian (957-995 CE). This compilation includes info on inkstick, inkstone, ink brush, and paper in China, which happen to be collectively called the four treasures of your research. The textual content mentions a form of attractive paper identified as ??? liu sha jian meaning “drifting-sand” or “flowing-sand notepaper" that was created in precisely what is now the region of Sichuan.

This paper was created by dragging a bit of paper by way of a fermented flour paste blended with many hues, creating a free of charge and irregular structure. A next sort was produced by using a paste geared up from honey locust pods, mixed with croton oil, and thinned with drinking water. Presumably both black and colored inks were used. Ginger, maybe while in the method of an oil or extract, was used to disperse the colors, or “scatter” them, according to the interpretation presented by T.H. Tsien. The colours had been claimed to collect alongside one another whenever a hair-brush was beaten more than the design, as dandruff particles was placed on the look by beating a hairbrush above major. The concluded patterns, which were being thought to resemble human figures, clouds, or flying birds, ended up then transferred for the area of a sheet of paper. An case in point of paper adorned with floating ink hasn't been located in China. If the above approaches employed floating shades stays being decided.

Su Yijian was an Imperial scholar-official and served given that the chief in the Hanlin Academy from about 985-993 CE. He compiled the perform from a vast selection of previously sources, and was accustomed to the subject, given his career. Nevertheless it is actually imperative that you observe that it is uncertain how personally acquainted he was together with the a variety of techniques for earning attractive papers that he compiled. He probably claimed information and facts provided to him, without getting an entire understanding of your strategies employed. His initial supply could have predated him by numerous generations. Till the initial sources that he estimates are more precisely established, can or not it's doable to ascribe a organization day for the manufacture of the papers described by Su Yijian.

Suminagashi (???), meaning "floating ink" in Japanese, is usually a Japanese variant; the oldest instance seems within the 12th-century Sanjuurokuninshuu (?????), situated in Nishihonganji (????), Kyoto. Author Einen Miura states the oldest reference to suminagashi papers are inside the waka poems of Shigeharu, (825-880 CE), a son from the famed Heian period poet Narihira (Muira fourteen). Various statements have already been built with regards to the origins of suminagashi. Some assume that may have derived from an early method of ink divination. An additional principle is the fact that the process could have derived from the method of well-known leisure at the time, where a freshly painted sumi painting was immersed into drinking water, as well as the ink bit by bit dispersed with the paper and rose to your area, forming curious models.

One personal has frequently been claimed since the inventor of suminagashi. In accordance with legend, Jizemon Hiroba felt he was divinely impressed to produce suminagashi paper immediately after he available religious devotions with the Kasuga Shrine in Nara Prefecture. It really is said that he then wandered the state wanting for that best water with which to help make his papers. He arrived in Echizen, Fukui Prefecture wherever he observed the water specially conducive to creating suminagashi. So he settled there, and his family members carried on while using the custom to today. The Hiroba Loved ones promises to obtain made this way of marbled paper considering that 1151 CE for fifty five generations.

To understand the best way to use paper marble in WTP, examine it out:

https://tonyjonah1206.joomla.com/117-paper-marbling-heritage-in-east-asia-633